Creating A Gypsy’s Curse

After chatting about the book and going over the idea of having Mairead and Lachland in a boat on the cover. O began to draw and sent me this amazing preview.

Then she got out her paints and produced the first colour draft, well we made a few tweaks with Mairead’s dress, and this was the final colour.

Time to make it into a book cover!

Voila! Now you have to meet the artist cause she did such an amazing job.

Oeindrilla A Gypsy’s Curse Illustrator

This is O. Oeindrilla is a graphic designer and illustrator based out of India. Her style revolves around blending different media, integrating elements to create visually stunning compositions. Print media, Wes Anderson films and anything whimsical are some of her inspirations. You can find her on Instagram at oeindrilla.cmyk

She has the heart of an artist.

Here’s the final book info. for A Gypsy’s Curse

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Book research is the name of this article. Based on the initial research I have done into the lives of gypsies in the UK and fisherfolk in Auchmithie, to get a sense of their lives and challenges, I have begun to draft my early scenes in my new noval (The Fisherwomen of Auchmithie). I can’t wait till the museums reopen to visit the local area and the Lighthouse Museum again. Thanks to the website Auchmithie Roots, and their historians, I found mention of Auchmithie in The Country of Scott. Including the following description of the inside of one of the fisherman’s cottages.

He let me take a photograph of the interior of the cottage, where a single room served for bedroom, breakfast-room, kitchen, and numerous other purposes. (p.157)

So not adding much information to what I had already guessed or discovered, though I’d love to chat to an expert in working-class women’s lives in the early 1800s. The text also mentions policemen referred to as constables and ‘a picturesque old fishwife’:

A picturesque old fishwife, carrying two large empty pails in each hand, came out of her house, all unconscious of the awful presence of a loaded camera and I quickly stepped out and pressed the bulb. ‘That’s Coffee Betz you got then,’ laughed the constable. ‘She wouldn’t let you take her picture, but she’s one of the Cargills.’

The ethics of snapping shots without permission aside, the last quote I came across about wives managing the family money (silver) is cited in this book too and the phrase ‘Them that sell the goods guide the purse – them that guide the purse rule the house’ (p.158).

Historical context

And there is some useful historical context of the French-British conflicts in the early 19th century (1800s) relevant for life in Auchmithie:-

the people of England and Scotland were kept in a state of nervous dread by the expectation of an invasion by the French. Beacons were erected all along the coast ready to give instant alarm, and militia organizations were everywhere kept in a state of readiness. (p.158).

Relevant for a fishy context too; though perhaps only interesting to me … For instance, there’s a mention of bannock-fluke and cock-paddle in the book, which some additional research revealed are turbot (Scophthalmus maximus) and lumpfish (Cyclopterus lumpus) which is great to know as my main characters include fishermen and women.

What’s next?

There is plenty more writing and research to go. So for now, I’ll concentrate on the writing side, building my characters and making notes on the side about facts to check. These are but little details to weave into the narrative as I try to capture the lives of the people living back then on the east coast of Scotland. 

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How to find an agent, or no agent at all?

I felt inspired on the subject of how to find an agent by this quote from K.Welsh:

“When I was querying agents with The Wages of Sin, I posted the opening chapters to my website on the off-chance someone might see it, and Laura Macdougall, who was then commissioning editor at Hodder & Stoughton, fell for my cunning ploy and emailed me asking if she could read the whole thing. She was planning on switching to being a literary agent and, once she’d sent me back a hand-edited first draft with a box of chocolates, I knew I’d found the perfect agent!”

Well, why not, forgetting about agents for a little while, I’ve been showing my first pages to beta-readers over the past few weeks to get feedback and thought I would share the same opening scene here too. I had more rewriting to do than planned because of my current book A Friendship of Thistles being set during the time period 2019 to 2020. If you’ve read any of my other posts you already know that then lockdown happened and I began to rewrite the book.

So here it is … scene one.

October 2020 

A brass bell chimed as an unexpected visitor pulled its cord. Its resonant clang reminded Heather of Maither’s cowbell; a souvenir brought back from Austria from their only holiday abroad. Irvin had brought the bell back from Tibet in an October as grey as this one – dreary tarmac and sky, an airborne peppering of drizzle – he had joked that it would cleanse people’s souls, releasing their suffering, before they could enter hishouse: her house now. She hoped, in death, that her friend had found his ‘singing sun’.

‘Hector!’ Heather flung her arms open – the Scottish-wide ban on household visits be damned. Small flecks of rain speckled his glasses and raincoat, though not enough to dampen her dress. ‘Where’s Fran?’

Hector’s shoulders stiffened.

She led him into the kitchen, their staggered footsteps echoing on the sandstone tiles like her heartbeat; the late-blooming hydrangeas, exploding outside the wall of windows, matched the pigmentation in her cheeks. ‘Want a cuppa?’

‘If there’s Earl Grey.’

She poured her cold jasmine tea down the sink, eyes on his back as he inspected the garden, face pale – even for a Scotsman – against the contrast of his ginger tufts.

As they waited for the boiling kettle she fiddled with the end of her chestnut-grey ponytail and asked herself: what’s wrong here? Hector held himself differently. Usually, he posed a risk to breakable objects or, and on more than one occasion, he’d poked someone in the eye. Yet his arms rested today by his expanded waistline.

He spoke over the bubbling of the kettle, ‘The kids have missed you for Sunday lunches.’

The mugs in her hands knocked the granite countertop as she jerked. What more to say: other than she agreed. She could’ve reached out. If she hadn’t … if Fran hadn’t … They’d both been hurt. An inadequate word for the rupture of a friendship.

‘You didn’t visit or pick up the phone.’ He moved, unsteadily, to a kitchen stool.

She waited for him to say Fran was ill, dying, dead. What could it be? She pictured tall, delicate-boned Fran with her choppy bob.

He tapped his teaspoon against his wrist; a soothing drumming pace, if she read him right.

The rain had given way to an autumn mist that insulated the house from the sun and emphasised the tick-tock of her feet on the tiles, from the kitchen island to the cupboard that held the tea, and the tac-tac of grandfather’s pendulum in the dining room.

‘There’s a mathematical formula for rain,’ he said. ‘Well, not rain per se, but rainfall. Intensity, duration, frequency. It’s about droplet concentration and—Sorry, I’m boring you.’

‘Surprising me.’

He blinked, and stared outside as though it was the first time he’d ever seen yellow-leaved birch. ‘Still got their gold.’

Had Fran sent him? Her husband was the peace pipe that could always draw them together. ‘Did Fran—?’

‘Could’ve called,’ he said.

‘Is that what you want me to say?’

He laughed: a broken blast punctuated with missed notes. ‘Except you … you couldn’t … have called … because … because … our phone line … is dead,’ he said, followed by more canned chokes.

How had he and Fran been these past months? More than months. At least a year since the rupture.

He scratched the end of his nose. ‘Me and you and Fran.’

Yes, she remembered. United over roast dinner, Fran often joked.

The primary’s canteen had been an organised war zone where adults unknowingly strode across enemy lines; the boundaries marked by plastic trays, jugs of water, and blocks of tables. The early level tables sat together: chubby hands and milk cartons on plastic chairs. Heather and Hector perched next to the older kids on wooden chairs, swinging their feet off the ground. Most eight to nine-year-olds in their own class were too immature.

Amongst the wooden tables Heather spotted lanky, cropped-haired Fran, with the look of fashion model Twiggy, face-to-face with Alex – new boy and self-imposed know-it-all.

‘Take that back, Alex Simons!’

‘Or what?’

Kids at the nearest tables stopped shovelling beef, tatties and mushy peas into their mouths. Fran shuffled her shoes long enough for Alex’s worm-like lips to wriggle into a smirk and retort, ‘Just ’cause your mom is a dinner lady don’t mean we eat this slop at home.’

Fran’s knuckles whitened on her plastic tray. Heather imagined tatties, peas and an overcooked slice of beef sliding down Alex’s sweater. Fran would get into trouble and her parents would have to pay for damage to his jeans and jumper.

Heather stepped between them. ‘Alex, that was mean.’

‘What if it is? You can’t do anything.’

‘We don’t treat folk that way at this school.’

Confronted with his bored gaze, Heather had no notion what to do if he objected to the rules. But she kenned some of the teachers well enough to know what they would say.

‘Do you ken the expression wee clipe?’ she asked.

Alex regarded Heather’s brown plaits as if tempted to tug on them for daring to call him a snitch.

Heather narrowed her eyes.

Alex stuck his hands in his pockets and said, ‘Don’t be a tell-tale.’

‘I can. Not to the adults. They’ve their own rules. I’m talking about our rules. I can tell every child at this school not to play with you …’ She gave it time for her words to sink into Alex’s thick skull. True. She was fairly well liked. Others regarded her as the default referee for arguments. She could see the cogs in his brain working that out. Liked by the quiet kids too because she made sure that no one sat out during a game. Fairness and the name Heather went hand in hand.

Alex’s smirk wavered.

‘You’re new here,’ Heather said, ‘so I’m going to give you a break. Welcome to Our Lady’s. Come on, Fran.’

‘Awesome, Heather!’ Hector stretched a palm above his fiery curls for their ritual high five.

Warmth spread across Heather’s neck; relief, she guessed from escaping a tricky situation. She flinched as Fran slammed her tray on the table.

‘That twit annoys me,’ Fran said.

Hector swallowed a mouthful of tatties and gravy. ‘It’s only his first week.’

Heather said, noting Alex squirting strawberry milk at his friend Fraser, ‘I think that boy would annoy astronauts on the moon.’

A half-laugh ruptured Fran’s frown. ‘That’s a strange thingy to say.’

Heather shrugged.

‘Heather’s mum’s a dinner lady too,’ Hector said, nudging back his glasses.

‘Which one?’ Fran asked.

‘Ann.’

‘My ma’s Ruth.’

And, as it turned out, they saw more of each other outside school; their mums struck up a friendship, and the girls struck up a companionship of their own. That’s why Fran often joked that Hector, Heather and Fran were united over roast dinner.

Heather nodded to show Hector that she remembered.

He sipped his tea until she couldn’t stomach not knowing.

‘Why aren’t you with your wife?’ she asked.

How to find an agent conclusion

I’m going to focus on the writing, as I’ve been saying for the past 20 years, as it seems more people get success after one breakthrough of a book that spikes on social media. So let’s see. In any case, my readership is slowly increasing and I am learning more about marketing and writing every day.

Who is Emma Parfitt?

Emma Parfitt is a proofreader with 18 years of writing experience with businesses, academics and creative writers. She obtained a Creative Writing MA (St Andrews University) and a PhD in Storytelling (Warwick University). Then set up her own proofreading business and became a published author of fiction as well as academic literature such as Young People, Learning & Storytelling (Palgrave Macmillan).

Get in touch!

Agent finding update: forget it! I’m being told by agents and publishers I need to do my own marketing, or be a social media influencer, so I might as well self-publish and market over organic social media stuff. I wish to spend more time writing and living and less time on social media trying to find out information about agents that would like my work. But who knows … my paths may cross with a like-minded editor one day! For now: quality of life trumps publisher checklists.

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Who came?

Feedback

About the art

 

Clare Pentalow crafted paper based on Mohammed Sagir’s in physics on a certain kind of material which may mean in the future that we won’t have to charge mobile phones. A work which people described as “detailed close up, shifting in colour”. Here’s an angle taken with the exhibition reflected in the glass of art piece.

Dragons?

Alice Bignami Todd crafted miniature dragons and knights in Resin jewellery inspired by Alice Byrne’s research into historical perceptions of St George’s slaying of the dragons. To be available to buy on Etsy soon!

Andrea Mbarushimana personally connected with Catherine Ellis’s work on sudden unexpected death in infancy (SUDI) painting a series of pictures using mixed media, incorporating eggs, the rolling movements of sleeping babies. Andrea was approached by someone at the University of Warwick interested in displaying her pictures at another event.

 

Stained glass

 

Ink

 

Emily Honey drew a series of very popular pictures inspired by Didem Derya Ozdemir kaya’s research on the fine-dining experience, in other words show kitchens in Istanbul, Turkey. Where chefs are on display to the dinners. Her beautiful use of colour and the social aspect of dinning, blended well with her sense of humour.

 

One of my favs

More art

 

 

 

Jewels

 

Activities

 

 

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Zombies. I was asked by Iggy to prepare a Sociological reply to the following questions regarding the film World War Z. First I would like to say that I did not enjoy this film. I was bored. This is a personal option, yet, if you want to see a good zombie movie I would recommend the following (in no particular order):

Question one: What is the most realistic human reaction to the crisis?

Question 2: In what order would society break down?

Question 3: Would humanity come together or would it be a case of every man for himself?

Questions raised

You can check out my other writing here.

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