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	<title>Archives novel - Emma Parfitt Proofreading Editing Services</title>
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		<title>The AI Line-Edit Checklist</title>
		<link>https://proofreading-editing-services.com/the-ai-line-edit-checklist/</link>
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		<dc:creator><![CDATA[Emma Parfitt]]></dc:creator>
		<pubDate>Fri, 13 Mar 2026 14:22:57 +0000</pubDate>
				<category><![CDATA[Creative writing]]></category>
		<category><![CDATA[AI]]></category>
		<category><![CDATA[checklist]]></category>
		<category><![CDATA[novel]]></category>
		<category><![CDATA[novels]]></category>
		<category><![CDATA[with]]></category>
		<category><![CDATA[writing]]></category>
		<guid isPermaLink="false">https://proofreading-editing-services.com/?p=3135</guid>

					<description><![CDATA[<p>Novels reach readers because of voice, clarity and craft. AI line-edits can accelerate that final polish but also introduce new risks. Use this checklist to make AI a reliable pre-submission partner: run systematic checks, preserve authorial voice, and treat every AI suggestion as a proposal to be accepted, revised, or<a class="moretag" href="https://proofreading-editing-services.com/the-ai-line-edit-checklist/"> Read more</a></p>
<p>L’article <a href="https://proofreading-editing-services.com/the-ai-line-edit-checklist/">The AI Line-Edit Checklist</a> est apparu en premier sur <a href="https://proofreading-editing-services.com">Emma Parfitt Proofreading Editing Services</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Novels reach readers because of voice, clarity and craft. AI line-edits can accelerate that final polish but also introduce new risks. Use this checklist to make AI a reliable pre-submission partner: run systematic checks, preserve authorial voice, and treat every AI suggestion as a proposal to be accepted, revised, or rejected.</p>
<p><img decoding="async" src="https://proofreading-editing-services.com/wp-content/uploads/2017/08/storytelling_30526-300x141.jpg" alt="storytelling" width="300" height="141" class="aligncenter size-medium wp-image-2280" srcset="https://proofreading-editing-services.com/wp-content/uploads/2017/08/storytelling_30526-300x141.jpg 300w, https://proofreading-editing-services.com/wp-content/uploads/2017/08/storytelling_30526-768x361.jpg 768w, https://proofreading-editing-services.com/wp-content/uploads/2017/08/storytelling_30526.jpg 890w" sizes="(max-width: 300px) 100vw, 300px" /></p>
<h4><strong>Why run an AI line-edit before submission</strong></h4>
<p>According to AI it excels at consistent mechanical fixes, catching patterns human eyes miss, and producing fast alternatives for awkward phrasing. That makes it ideal for a final sweep to remove typos, tighten language, and flag inconsistencies. Um &#8230; not in my experience. As AI is only a tool: it cannot fully replace a careful human pass or editorial judgement. The checklist below will help you keep speed without sacrificing voice, accuracy, or originality.</p>
<h4><strong>The checklist </strong></h4>
<p><strong>(run these in order)</strong></p>
<ul>
<li><strong>1. Global read-through for tone drift</strong> Ask the AI to compare the start, middle, and end of your manuscript for consistency in tone and register, and to flag chapters where voice or tense shifts unintentionally.</li>
<li><strong>2. Dialogue distinctiveness scan</strong> Have the AI list patterns for each character: average sentence length, common words or phrases, and register. Flag characters whose speech metrics overlap too closely.</li>
<li><strong>3. Mechanical clean-up (grammar, punctuation, spelling)</strong> Run a constrained pass that fixes only objective mechanical errors. Tell the AI explicitly not to alter slang, dialect, or deliberate grammatical choices.</li>
<li><strong>4. Passive voice and weak verb report</strong> Request a list of instances of passive voice and soft verbs (e.g., “was,” “had,” “felt”) with suggested stronger verbs or active constructions, focusing on scenes that should carry momentum.</li>
<li><strong>5. Repetition and filler detection</strong> Ask the AI to point out repeated words, phrases, and filler constructions within each chapter and to suggest concise alternatives or indicate where repetition is purposeful.</li>
<li><strong>6. Head-hopping and focalization check</strong> Have the AI identify sentences or paragraphs that shift perspective within a scene and mark them for you to confirm whether the shift is deliberate.</li>
</ul>
<h4>And yes we keep going!</h4>
<ul>
<li><strong>7. Continuity and timeline audit</strong> Ask for a concise timeline of major events and character states across chapters; flag inconsistencies in dates, ages, or physical states.</li>
<li><strong>8. Named-entity and prop consistency</strong> Request a list of character names, locations, objects, and their first mention; flag inconsistent spellings, changing traits, or props that vanish and reappear.</li>
<li><strong>9. Sensory balance and specificity pass</strong> Ask the AI to score scenes for sensory detail (sight, sound, smell, touch, taste) and suggest one concrete sensory detail per under-specified scene aligned to the POV character’s life experience.</li>
<li><strong>10. Red-flag content scan</strong> Request detection of potentially problematic content: stereotypes, uncontextualized trauma, or factual red flags that may need sensitivity reading or expert review.</li>
<li><strong>11. Query/package readiness check</strong> Have the AI produce a short synopsis, 1–2 sentence hook, and a 250–300 word pitch for submission, then compare tone to the manuscript to ensure alignment.</li>
<li><strong>12. Final voice-preservation pass</strong> Ask the AI to propose only minimal edits that preserve sentence rhythm and diction; produce two variants per flagged sentence: “clean” and “voice-first.”</li>
</ul>
<h4><strong>How to prompt AI for safe, useful edits</strong></h4>
<ul>
<li>Start with explicit constraints: “Edit for clarity and mechanical correctness only; do not change dialect, slang, sentence fragments, or repeated motifs used for voice.”</li>
<li>Provide voice cues: “Voice: sardonic first person; short, clipped sentences; recurring nautical metaphors.”</li>
<li>Ask for labeled outputs: “Return edits as: 1) Original sentence, 2) AI-clean suggestion, 3) Voice-first suggestion, 4) Short rationale (10–15 words).”</li>
<li>Use small batches: submit chapter-sized excerpts or 500–1,000 word chunks to maintain context and control.</li>
<li>Request a changelog: ask the AI to produce a numbered list of every edit type it applied (grammar, tense, wording) so you can quickly review categories rather than individual changes.</li>
</ul>
<h4><strong>Practical workflow to combine AI with human judgment</strong></h4>
<ol>
<li>Backup your manuscript and save a timestamped copy before any AI pass.</li>
<li>Run the constrained mechanical clean-up first and accept changes only where they don’t alter voice.</li>
<li>Run the repetition, passive-voice, and continuity checks and mark suggested fixes in a separate file or using tracked changes.</li>
<li>Do a focused voice-first pass: accept only the “voice-first” variants that preserve cadence; reject or adapt others.</li>
<li>Perform a read-aloud pass—either by voice actor, text-to-speech, or out-loud yourself—to catch rhythm, tone, and dialogue authenticity.</li>
<li>Send key chapters to a trusted human editor or beta reader with notes listing AI changes so reviewers focus on voice, character, and emotional impact rather than copy edits.</li>
<li>Implement final human edits, run one last mechanical check, then prepare submission package materials.</li>
</ol>
<h4><strong>Red flags and when to skip AI for a section</strong></h4>
<ul>
<li>If scenes hinge on cultural nuance, lived trauma, or technical accuracy, prefer human experts or sensitivity readers first.</li>
<li>If you rely heavily on unique diction, dialect, or experimental syntax, avoid broad AI line-edits that lack voice scaffolding.</li>
<li>If your draft contains contractual obligations or third-party materials you cannot risk exposing, don’t upload those sections to public/free AI tools.</li>
</ul>
<h4><strong>Quick templates you can reuse</strong></h4>
<ul>
<li>Mechanical clean-up template: “Fix grammar, punctuation, and spelling only. Do not change slang, intentional sentence fragments, or character-specific diction. List edits with short rationale.”</li>
<li>Voice-first template: “Edit for clarity while keeping [character name]’s voice. Voice cues: [3–4 keywords]. Provide two variants per sentence: clean and voice-first.”</li>
<li>Continuity audit template: “Create a timeline of key events and list all named characters, locations, and props with first-mention chapters. Flag inconsistencies.”</li>
</ul>
<h4><strong>Final thoughts</strong></h4>
<p>An AI line-edit should leave your manuscript cleaner but unmistakably yours. Use the checklist to structure passes, protect character voice, and combine machine speed with human discernment. When AI is confined by smart prompts, strong templates, and a human-in-the-loop workflow, it becomes a powerful editing assistant that helps you submit work that’s polished, faithful to your voice, and professionally ready.</p>
<h4>About Emma</h4>
<p>As an introvert haunting the corners of storytelling festivals, it’s incredibly difficult to track Emma down. She’s best known for writing Scottish fiction about working-class women and communities and their misrepresented lives. You can find her recent book <a href="https://www.amazon.co.uk/dp/B0FVT84G3B?crid=1YZOL7IKDK9AG&amp;dib=eyJ2IjoiMSJ9.wIGGh9wLaQ-jNRuQ4kPfEQ.AIUWadzjJXMpseiZRiMYhVSHQYg0-WFqP-WibYMlsPM&amp;dib_tag=se&amp;keywords=The+secret+cult+of+the+miners%27+library&amp;qid=1760341007&amp;sprefix=the+secret+cult+of+the+miners%27+library%2Caps%2C127&amp;sr=8-1">The Secret Cult of the Miners’ Library</a> here. Or get writing help <a href="https://proofreading-editing-services.com/">here</a>.</p>
<p>L’article <a href="https://proofreading-editing-services.com/the-ai-line-edit-checklist/">The AI Line-Edit Checklist</a> est apparu en premier sur <a href="https://proofreading-editing-services.com">Emma Parfitt Proofreading Editing Services</a>.</p>
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		<title>Expert proofreading</title>
		<link>https://proofreading-editing-services.com/expert-proofreading/</link>
					<comments>https://proofreading-editing-services.com/expert-proofreading/#respond</comments>
		
		<dc:creator><![CDATA[Emma Parfitt]]></dc:creator>
		<pubDate>Tue, 23 Apr 2024 08:42:11 +0000</pubDate>
				<category><![CDATA[Author proofreading]]></category>
		<category><![CDATA[author]]></category>
		<category><![CDATA[book]]></category>
		<category><![CDATA[expert]]></category>
		<category><![CDATA[kindle]]></category>
		<category><![CDATA[novel]]></category>
		<category><![CDATA[proof-reading]]></category>
		<category><![CDATA[proofreading]]></category>
		<guid isPermaLink="false">https://proofreading-editing-services.com/?p=2723</guid>

					<description><![CDATA[<p>The Art of Precision: Fine-Tuning Your Manuscript with Expert Proofreading So you&#8217;re considering expert proofreading. In the grand concert hall of literature, where words resonate like piano notes, authors compose symphonies of prose. Just as a pianist meticulously tunes each key, writers must fine-tune their manuscripts to achieve literary harmony.<a class="moretag" href="https://proofreading-editing-services.com/expert-proofreading/"> Read more</a></p>
<p>L’article <a href="https://proofreading-editing-services.com/expert-proofreading/">Expert proofreading</a> est apparu en premier sur <a href="https://proofreading-editing-services.com">Emma Parfitt Proofreading Editing Services</a>.</p>
]]></description>
										<content:encoded><![CDATA[<h1>The Art of Precision: Fine-Tuning Your Manuscript with Expert Proofreading</h1>
<p>So you&#8217;re considering expert proofreading. In the grand concert hall of literature, where words resonate like piano notes, authors compose symphonies of prose. Just as a pianist meticulously tunes each key, writers must fine-tune their manuscripts to achieve literary harmony. Enter the maestros of proofreading—the virtuosos who ensure every word strikes the right chord.</p>
<h2>The Sonata of Clarity</h2>
<h3>1.<span> </span><strong>Staccato Sentences</strong></h3>
<p>Like a powerful crescendo, sentences demand clarity. Proofreaders wield their batons, ensuring each sentence resonates with precision. Remove unnecessary adagios and embrace concise staccato.</p>
<p>Smooth transitions are the legato passages that bind paragraphs. Proofreaders listen for jarring leaps and guide authors toward seamless modulations.</p>
<h3>2.<span> </span><strong>Harmony of Grammar and Syntax</strong></h3>
<p>Commas, semicolons, and dashes—the grammar keys that shape melody. Proofreaders fine-tune these notes, ensuring harmonious syntax.</p>
<p>Parallelism, like a recurring motif, creates balance. Proofreaders align structures, harmonizing clauses and phrases.</p>
<h2>The Concerto of Style</h2>
<h3>3.<span> </span><strong>Rhapsody in Consistency</strong></h3>
<p>Consistent style maintains rhythm. Whether it’s British or American English, proofreaders conduct the orchestra. No discordant notes allowed!</p>
<p><strong>Crescendo of Formatting</strong>: Italics, bold, and headings—like dynamic markings—guide readers. Proofreaders ensure uniformity, avoiding dissonance.</p>
<h3>4.<span> </span><strong>Cadence of Punctuation</strong></h3>
<p>Punctuation marks pause and breathe. Proofreaders listen for misplaced rests—commas, colons, and ellipses. A well-placed fermata adds elegance.</p>
<p>Hyphens, en dashes, and em dashes—subtle variations in punctuation. Proofreaders tune these shifts, creating harmonious transitions.</p>
<h2>The Encore</h2>
<p>As moonlight bathes the piano keys, authors must embrace the proofreader’s baton. With each revision, they transform rough drafts into sonatas. So, dear writers, let your words resonate—each comma a grace note, each paragraph a chord progression.</p>
<p>Remember, the true magic lies not in the ivory keys, but in the ink that dances across the manuscript.</p>
<h2>About Emma</h2>
<p>If you hadn&#8217;t guessed from the above prose, Emma offers copy-editing and proof-reading <a href="https://proofreading-editing-services.com/work-with-emma/">services</a> to despirate authors.</p>
<p>Yet once freed from the maze of piano strings by Emma&#8217;s magic &#8230; the impossible becomes possible. In this case, publication (no guarantees, due to dragons).</p>
<p><img fetchpriority="high" decoding="async" src="https://proofreading-editing-services.com/wp-content/uploads/2019/02/Emma-Parfitt-proofreading-editing-300x200.jpg" alt="Emma Parfitt proofreading editing" width="300" height="200" class="aligncenter size-medium wp-image-1089" srcset="https://proofreading-editing-services.com/wp-content/uploads/2019/02/Emma-Parfitt-proofreading-editing-300x200.jpg 300w, https://proofreading-editing-services.com/wp-content/uploads/2019/02/Emma-Parfitt-proofreading-editing-768x513.jpg 768w, https://proofreading-editing-services.com/wp-content/uploads/2019/02/Emma-Parfitt-proofreading-editing-1024x684.jpg 1024w, https://proofreading-editing-services.com/wp-content/uploads/2019/02/Emma-Parfitt-proofreading-editing-360x240.jpg 360w" sizes="(max-width: 300px) 100vw, 300px" /></p>
<p>L’article <a href="https://proofreading-editing-services.com/expert-proofreading/">Expert proofreading</a> est apparu en premier sur <a href="https://proofreading-editing-services.com">Emma Parfitt Proofreading Editing Services</a>.</p>
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		<title>A Friendship of Thistles</title>
		<link>https://proofreading-editing-services.com/a-friendship-of-thistles/</link>
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		<dc:creator><![CDATA[Emma Parfitt]]></dc:creator>
		<pubDate>Fri, 06 May 2022 14:19:39 +0000</pubDate>
				<category><![CDATA[Blog posts]]></category>
		<category><![CDATA[Creative writing]]></category>
		<category><![CDATA[A Friendship of Thistles]]></category>
		<category><![CDATA[author]]></category>
		<category><![CDATA[book]]></category>
		<category><![CDATA[forgive]]></category>
		<category><![CDATA[forgiveness]]></category>
		<category><![CDATA[Friendship]]></category>
		<category><![CDATA[novel]]></category>
		<category><![CDATA[Reading group]]></category>
		<category><![CDATA[Scottish]]></category>
		<guid isPermaLink="false">https://proofreading-editing-services.com/?p=1844</guid>

					<description><![CDATA[<p>Friendship(s) come in many packages. Once of my best friends being writing. And the time has arrived for my next publication! Read a sample or buy it now. A Friendship of Thistles: book summary Read with a friend! A Friendship of Thistles is THE book to read with your closest<a class="moretag" href="https://proofreading-editing-services.com/a-friendship-of-thistles/"> Read more</a></p>
<p>L’article <a href="https://proofreading-editing-services.com/a-friendship-of-thistles/">A Friendship of Thistles</a> est apparu en premier sur <a href="https://proofreading-editing-services.com">Emma Parfitt Proofreading Editing Services</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>Friendship(s) come in many packages. Once of my best friends being writing. And the time has arrived for my next publication! <a href="https://read.amazon.co.uk/kp/embed?asin=B09ZMKMF2T&amp;preview=newtab&amp;linkCode=kpe&amp;ref_=cm_sw_r_kb_dp_13TM8TJVJS4QKBD7CXX7">Read</a> a sample or buy it <a href="https://www.amazon.com/Friendship-Thistles-forgive-friend-thistles-ebook/dp/B09ZMKMF2T/ref=tmm_kin_swatch_0?_encoding=UTF8&amp;qid=1651844888&amp;sr=1-1">now</a>.</p>
<p><img decoding="async" src="https://proofreading-editing-services.com/wp-content/uploads/2022/05/A-Friendship-of-Thistles-200x300.jpg" alt="A Friendship of Thistles" class="wp-image-1849 size-medium aligncenter" width="200" height="300" srcset="https://proofreading-editing-services.com/wp-content/uploads/2022/05/A-Friendship-of-Thistles-200x300.jpg 200w, https://proofreading-editing-services.com/wp-content/uploads/2022/05/A-Friendship-of-Thistles.jpg 576w" sizes="(max-width: 200px) 100vw, 200px" /></p>
<h5>A Friendship of Thistles: book summary</h5>
<p><strong>Read with a friend! </strong><em>A Friendship of Thistles</em> is THE book to read with your closest friend, or group of friends. With great discussion points for a book group. With that said, it’s also for you if you’ve never had a friend nor sustained a thirty-year friendship, or fallen out with a friend and are wondering how to repair the damage done.</p>
<p>‘Where have you been?’ Hector asked. He unfisted a crumpled sheet of test results.<br />
Heather said, ‘You’re all bones.’<br />
‘Fran, threw me out.’<br />
‘And?’ she asked.</p>
<p>Two women. Multiple secrets. The question is: how to forgive your best friend with a heart full of thistles?<strong></strong></p>
<p>The story of Heather and Fran brings Edinburgh alive, during lockdown from 2019 to 2020. From a working-class perspective, Parfitt has created a memorable in-depth look at friendship and community. <a href="https://proofreading-editing-services.com/a-friendship-of-thistles/"><em>A Friendship of Thistles</em> </a>is also the story of a nation divided. Through the lives of Fran and Heather, Parfitt gives her readers the story of a country and its people undergoing stupendous change to remind us of the importance of community.</p>
<h5>Recommendation</h5>
<p>‘When Hector talks about politics, or when you talk about Covid-19: it is part of people’s lives, and the sense of community grows gradually. We feel that the virus impacts their lives, and we are emotionally concerned and connected with them. Stocking food and cans, the pressure to obtain a grant from the government, the craving for a bit of warmth, it’s very real.’<br />
—Jeanne ML</p>
<h5>A bit of history about the setting</h5>
<p>Friendship or best friends and forgiveness were my core themes. This <a href="https://proofreading-editing-services.com/a-friendship-of-thistles/">book </a>is set in Edinburgh in 2019. I started pre-Covid, thinking it would have a post-Brexit theme, then Covid-19 happened so I rewrote it to reflect the contemporary setting and what my characters would experience.</p>
<p>Read more below and see a sample! And you can access more of my books <a href="https://www.amazon.co.uk/E-L-Parfitt/e/B09ZP996H5/ref=dp_byline_cont_pop_ebooks_1">here</a>.</p>
<p><iframe width="336" height="550" style="max-width: 100%;" type="text/html" sandbox="allow-scripts allow-same-origin allow-popups" frameborder="0" allowfullscreen="allowfullscreen" src="https://read.amazon.co.uk/kp/card?asin=B09ZMKMF2T&amp;preview=inline&amp;linkCode=kpe&amp;ref_=cm_sw_r_kb_dp_13TM8TJVJS4QKBD7CXX7"></iframe></p>
<h4>Who is Emma Parfitt?</h4>
<p><img loading="lazy" decoding="async" loading="lazy" src="https://proofreading-editing-services.com/wp-content/uploads/2019/02/Emma-Parfitt-Editing-Proofreading-300x200.jpg" alt="Emma Parfitt Editing Proofreading" class="aligncenter size-medium wp-image-1113" srcset="https://proofreading-editing-services.com/wp-content/uploads/2019/02/Emma-Parfitt-Editing-Proofreading-300x200.jpg 300w, https://proofreading-editing-services.com/wp-content/uploads/2019/02/Emma-Parfitt-Editing-Proofreading-768x513.jpg 768w, https://proofreading-editing-services.com/wp-content/uploads/2019/02/Emma-Parfitt-Editing-Proofreading-1024x684.jpg 1024w, https://proofreading-editing-services.com/wp-content/uploads/2019/02/Emma-Parfitt-Editing-Proofreading-360x240.jpg 360w" sizes="auto, (max-width: 300px) 100vw, 300px" width="300" height="200" /></p>
<p>Emma Parfitt is a proofreader with 18 years of writing experience with businesses, academics and creative writers. She obtained a Creative Writing MA (St Andrews University) and a PhD in Storytelling (Warwick University). Then set up her own proofreading business and became a published author of<span> </span><a href="https://books2read.com/b/Parfitt">fiction</a><span> </span>as well as academic literature such as<span> </span><a href="https://www.palgrave.com/de/book/9783030007515"><em>Young People, Learning &amp; Storytelling</em></a><span> </span>(Palgrave Macmillan).</p>
<p><a href="https://proofreading-editing-services.com/work-with-emma/one-to-one-writing-sessions/">Get in touch!</a></p>
<p>L’article <a href="https://proofreading-editing-services.com/a-friendship-of-thistles/">A Friendship of Thistles</a> est apparu en premier sur <a href="https://proofreading-editing-services.com">Emma Parfitt Proofreading Editing Services</a>.</p>
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		<title>Jodi Picoult. How a sentence can tell a story</title>
		<link>https://proofreading-editing-services.com/jodi-picoult/</link>
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		<dc:creator><![CDATA[Emma Parfitt]]></dc:creator>
		<pubDate>Tue, 24 Aug 2021 09:26:00 +0000</pubDate>
				<category><![CDATA[Storytelling]]></category>
		<category><![CDATA[#IndianaJones]]></category>
		<category><![CDATA[#JodiPicoult]]></category>
		<category><![CDATA[#reading]]></category>
		<category><![CDATA[#TheBookOfTwoWays]]></category>
		<category><![CDATA[Jodi Picoult]]></category>
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		<category><![CDATA[writing]]></category>
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					<description><![CDATA[<p>Jodi Picoult, I love her writing. I was stopped in my tracks today by this humble sentence about a character’s eyes from Jodi Picoult’s The Book of Two Ways:   “They made me think of the heart of a glacier, of how, even when you touch dry ice with your<a class="moretag" href="https://proofreading-editing-services.com/jodi-picoult/"> Read more</a></p>
<p>L’article <a href="https://proofreading-editing-services.com/jodi-picoult/">Jodi Picoult. How a sentence can tell a story</a> est apparu en premier sur <a href="https://proofreading-editing-services.com">Emma Parfitt Proofreading Editing Services</a>.</p>
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										<content:encoded><![CDATA[<p><span style="font-size: 14.0pt; line-height: 107%;"><span style="mso-spacerun: yes;">Jodi Picoult, I love her writing.</span></span></p>
<p style="text-align: left;"><span style="color: black; font-size: 14.0pt; line-height: 107%; mso-themecolor: text1;"><span style="mso-spacerun: yes;"></span>I was stopped in my tracks today by this humble sentence about a character’s eyes from Jodi Picoult’s <a href="https://jodipicoult.com/the-book-of-two-ways.html" target="_blank" rel="noopener">The Book of Two Ways</a>:</span></p>
<blockquote><p><span style="color: black; font-size: 14.0pt; line-height: 107%; mso-themecolor: text1;"> </span></p>
<p><span style="color: black; font-size: 14.0pt; line-height: 107%; mso-themecolor: text1;">“They made me think of the heart of a glacier, of how, even when you touch dry ice with your bare skin, you cannot let go even if you try.”</span><span style="color: black; font-size: 14.0pt; line-height: 107%; mso-themecolor: text1;">(p.18)</span></p>
<p>&nbsp;</p></blockquote>
<h4 style="text-align: left;"><span style="color: black; font-size: 14.0pt; line-height: 107%; mso-themecolor: text1;">Egyptian hieroglyphs</span></h4>
<p style="text-align: left;"><span style="color: black; font-size: 14.0pt; line-height: 107%; mso-themecolor: text1;">She’d already won me over at this stage with her depictions of Egyptian hieroglyphs and history and references to <a href="https://en.wikipedia.org/wiki/Indiana_Jones" target="_blank" rel="noopener">IndianaJones</a>. What I love about this sentence is the sensory and emotional experience. I’m sick of reading she/he had green or grey eyes when the majority of people have brown, followed by blue (in certain cultural contexts). So blue eyes, check, while avoiding the cliche’s of a lake, the sky, etc. Double check! We instead get treated to ice reflecting the sky in its centre in a form of a glacier. Making me feel the character&#8217;s cold disinterest in me. </span></p>
<h5 style="text-align: left;"><span style="color: black; font-size: 14.0pt; line-height: 107%; mso-themecolor: text1;">Word choice</span></h5>
<p style="text-align: left;"><span style="color: black; font-size: 14.0pt; line-height: 107%; mso-themecolor: text1;">Then she choses the word ‘dry’ reinforcing this lack of life, and yet ‘with your bare skin’ brings to mind the sensual. Exactly. The women is describing an ex-lover. Thus, being stuck to the ice (‘you cannot let go’) is more about tongue and lolly freeze. We are transported to a place of shivery recognition of the attraction she is describing. It wasn&#8217;t a mistake <a href="https://www.jodipicoult.com/" target="_blank" rel="noopener">Picoult </a>used &#8216;heart&#8217; after all. She does not want to become unstuck from this man. As a reader, I assume at this point as I haven&#8217;t read further, the story will bring them into contact once more. No spoilers here. Combined, physical, emotional and narrative connections work together in one simple sentence. Doesn’t feel so simple after all now, does it?</span></p>
<h5 style="text-align: left;"><span style="color: black; font-size: 14.0pt; line-height: 107%; mso-themecolor: text1;"> Continued reading &#8230;<br />
</span></h5>
<p style="text-align: left;"><span style="color: black; font-size: 14.0pt; line-height: 107%; mso-themecolor: text1;">Okay, excuse me, I have to go and read some more &#8230;</span></p>
<div style="clear: both; text-align: center;"><a href="https://proofreading-editing-services.com/wp-content/uploads/2021/08/book-2Bof-2Btwo-2Bways-2Bcover.jpg" style="margin-left: 1em; margin-right: 1em;"><img loading="lazy" decoding="async" data-original-height="724" data-original-width="474" src="https://proofreading-editing-services.com/wp-content/uploads/2021/08/book-2Bof-2Btwo-2Bways-2Bcover-196x300.jpg" width="210" height="320" border="0" /></a></div>
<p>&nbsp;</p>
<p>L’article <a href="https://proofreading-editing-services.com/jodi-picoult/">Jodi Picoult. How a sentence can tell a story</a> est apparu en premier sur <a href="https://proofreading-editing-services.com">Emma Parfitt Proofreading Editing Services</a>.</p>
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